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Our academic themes in the Centre for Design History

The Centre for Design History currently organises its research by five main areas that serve to identify our thematic strengths. Themes are interconnected and many researchers work across and between them.

Transnational design histories

Since the ¹ú²ú̽»¨’s earliest developments of design history as a formal discipline in the late 1970s, there has been considerable emphasis on understanding design in its global contexts.

This includes how design historians and cultural analysts address the political and social implications of rapid industrialisation on local design traditions and the imposition of an internationally-orientated language of design.

Researchers in the Centre for Design History are engaged in post-colonial design history writing, considering transnational histories, re-visiting the nodes and locales of design production and exchange, as well as voicing the importance of a re-invigorated and more representative global design map.

Research partners in our Transnational design histories strand include:

• School of Environment and Architecture, Mumbai,
• Konkuk University, Seoul,
• Korean Design History Society, Seoul,
• University of Applied Arts, Vienna, 
• Swinburne University of Technology, Melbourne, 
• Fashion Institute of Technology, New York.

For further information, contact CentreForDesignHistory@brighton.ac.uk.

Fashion and dress histories

Histories of dress and fashion are longstanding scholarly interests at the ¹ú²ú̽»¨.

Researchers are especially committed to telling the stories that dress and clothing can reveal about those who have been marginalised due to ethnicity, race, geography, gender identity, social position, or simply because they did or do not fit neatly into pre-existing categories.

With our  and close connections to other institutional collections of dress and textiles, we are particularly interested in object-based scholarship, but our researchers consider a wide range of images, objects and texts in their work.

Research partners in our fashion and dress histories strand include:

• Austrian Center for Fashion Research,
• Historic Royal Palaces, UK,
• Royal Pavilion & Museums, ¹ú²ú̽»¨ and Hove
• Victoria and Albert Museum, London 
• Worthing Museum and Art Gallery.

For further information, contact CentreForDesignHistory@brighton.ac.uk.

Looks curated by Maria McCloy from the exhibition Fashion Cities Africa, ¹ú²ú̽»¨ Museum and Art Gallery. Image courtesy of James Pike and The Royal Pavilion and Museums Trust.

Graphic Design Histories 

This strand of research of the Centre for Design History Research draws on a longstanding strength in visual communications scholarship at the ¹ú²ú̽»¨.

Harnessing a range of analytical methodologies, our research focusses on developing new perspectives on the history and contemporary significance of graphic objects as an often-overlooked part of social, cultural and political life.

We place an emphasis on how graphic design across diverse media, from print and the digital to the environmental, intersects socially and spatially with the urban experience and the identity politics of various communities. This takes research into design communications beyond conventional boundaries to an ‘expanded field’.

Our research partners in the Graphic Design Histories strand include:

• University of Basel; Bauhaus Archiv/Museum für Gestaltung, Berlin,
• Hochschule der Künste Bern / Haute école des arts de Berne, 
• ECAL, École Cantonale d’art de Lausanne, 
• Parsons The School for Design, New York,
• University of São Paulo; Tsuda University, Tokyo.

For further information, contact CentreForDesignHistory@brighton.ac.uk. 

Museums, archives, and exhibitions

The Centre for Design History in collaboration with the reframes research into the relationship between museums, exhibitions, archives and design.

Our work centres on the historical and contemporary practice of exhibition design, the display and interpretation of designed objects in museums and collections, and the social, economic and political agency of museums, exhibitions and archives as designed objects. Our scholarship ranges from the theoretical to the applied, spanning the modern era to the contemporary. We have particular interests in decolonial/postcolonial and participatory approaches to design and our practice-based initiatives probe the relations between design, exhibiting and collecting. We host a thriving postgraduate community and a lively programme of talks by practitioners, and many of us work in formal collaboration with the institutions we study.

Research partners in our Museums, archives and exhibitions strand include:

• The British Museum, London,
• De La Warr Pavilion, Hastings,
• Peale Center for Baltimore History and Architecture, 
• Royal Pavilion and Museums, ¹ú²ú̽»¨ and Hove,
• Victoria & Albert Museum, London,
• Shiv Nadar University’s Center for Archaeology, Heritage and Museums.

For further information, contact CentreForDesignHistory@brighton.ac.uk.

Sustainability

Researchers at the Centre for Design History are interested in unsettling dominant notions of sustainability as a Western-centric, technology-driven set of ideas and practices. 

This means challenging design heroism, techno-environmentalism, the language of sustainability, established business models and white saviourism in favour of marginalised histories and practices. Rather than focus on histories of sustainable design, we want to ask: what have we historically sustained, or not sustained, in design and its practices and how have these legacies shaped contemporary design practices, discourses and pedagogies? In doing so, we are committed to examining histories and practices of resourcefulness, reuse, ingenuity, and everyday creativity—of design in its broadest sense—in relation to politics, gender, class, race, sexuality, economics, geography and identity. 

We are interested in interdisciplinary/transdisciplinary approaches, including practice-led methods, archival research, ethnography, visual culture methods, object-based scholarship, and participatory research. 

Research partners in our Sustainability strand include: 

• Johns Hopkins University, 
• Media Design School, Auckland New Zealand, 
• National Institute of Design, Ahmedabad, 
• School of Environment and Architecture, Mumbai. 

Honey and a pebble: sharing positionality through taste and materials during a CDH workshop run by Dr Sarah Baker from the Media Design School, Auckland, NZ, 2023. Photograph courtesy of Sally Sutherland.

Our impact and outreach from the Centre for Design History

A hallmark of research in the Centre for Design History is the strong relationships between ¹ú²ú̽»¨ researchers and partners in the cultural sector (principally galleries and museums) on research projects that support high-level research.

These provide significant financial underpinning for published outcomes (catalogues), online platforms and exhibitions while leading to wide public engagement through visitor figures and public outreach programmes for informal and formal learning.

History of design research at ¹ú²ú̽»¨ has pioneered new methods of analysis and practices of interpretation to transform understandings of how design is produced, marketed and consumed:

• Firstly, it has changed understanding among policy makers and professionals of how transnational networks of design work.

• Secondly, it has shaped the study and public appreciation of the history of design through publication and exhibition, and it has determined the kind of design that is collected and displayed.

• Thirdly, it has become an international nucleus for curriculum development in design history with impact on the teaching of the subject at all levels, nationally and internationally.

• The ¹ú²ú̽»¨’s pioneering work in the history of design has changed the way design is taught and the way it is viewed.

Who we work with

The place of the ¹ú²ú̽»¨ in establishing international dialogue as a centre of excellence in Design History is witnessed by the active interchange with academic partners located in institutions across the world.

Among the most notable of these are the Papanek Foundation, University of Applied Arts, Vienna; National Institute of Design, Ahmedabad; Ambedkar University, New Delhi; Research Centre for Material Culture, Leiden; Cooper Hewitt - Parsons New School, New York; Wolfsonian Florida International University; Tsuda University, Tokyo; University of São Paulo, and University of Rennes.

The Centre for Design History’s partnership and co-location with the  ensures researchers of international standing regularly visit the university and through which new fruitful exchanges and plans are developed. 

In ¹ú²ú̽»¨, the Centre for Design History benefits from a close partnership with the Royal Pavilion and Museums ¹ú²ú̽»¨ and Hove, enhanced by co-curation and research projects across a range of collections, and collaborative doctoral supervision.

Other key partnerships in the Sussex region include with De La Warr Pavilion, investigating the opportunities for digital engagement with museums and galleries led by  and with Worthing Museum and Art Gallery, in , uncovering hidden histories of objects from the museum’s collections led by .

Many Centre for Design History members lead PhD design history studentships in the AHRC Collaborative Doctoral Awards scheme. These have involved partnership with, among others, the British Museum, V&A Museum, Royal Botanic Gardens Kew, Design Museum and National Science and Media Museum, Bradford. 

Public sewing at Jubilee Library, ¹ú²ú̽»¨, remaking a tapestry banner of Picasso's Guernica. Image courtesy Dr Nicola Ashmore.

Our research output from the Centre for Design History

Details of research publications and other outputs fostered by the centre and achieved by its members, along with funded projects delivered by the centre, can be accessed on the Centre for Design History's database of research.