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Sue is based at the ¹ú²ú̽»¨ Design Archives and supervises research using archives in art and design history and practice; and on twentieth century British art and design and their contexts, with a particular focus on the mid-century. She supervises Masters and Doctorate projects, and is happy to hear from potential students with complementary interests.

Christian would be interested in supporting doctoral research in the following areas: Anti-colonialism; Atlantic Studies and maritime history; Black British History; Black Intellectual History; British imperial history; Caribbean history and politics (including Haitian Revolutionary Studies); Labour History; Pan-Africanism; Race, Resistance and Reparative Histories; Slavery, Resistance and Abolition.      

I supervise PhDs on a range of modern European history themes, especially on histories and memories of conflict, resistance and refugeedom. I am also interested in innovative projects on the method and challenges of writing the history of today. In our School we have an excellent record in securing funding for applicants that are keen to shape their ideas in close dialogue with us.  

My recent doctoral students are: 

• Ömercan Tüm, 'The Representation of Muslim Masculinities in Contemporary British and American Diaspora Novels' (started 2023)
• Mr Yazan Abu Jbara 'Resistance in and through Palestinian Memoirs' (started 2022)
• Mr Irfan Chowdhury 'How systematic were the British Army’s war crimes in Iraq between 2003 and 2011?' (started 2022)
• Amadeusz Lange 'In the shadows, unveiling Polish women’s contributions in clandestine activity, 1939-1945' (started 2022)
• Rosemary Rich, ‘The memory of Second World War conscientious objection since 1945’ (PhD awarded 2023)
• Vanessa Tautter, ‘Narratives of Victimisation among the Contemporary Right in Austria and Northern Ireland’ (PhD awarded 2023)
• Oscar Louis Norris-Broughton, 'Guilds at Home and Abroad: A History of Knowledge of Guild Socialism' (PhD awarded 2022 at Freie Universität Berlin)
• Pete Morgan, ‘British representations of the Armenian Genocide, 1915-23’ (awarded 2022 ¹ú²ú̽»¨)
• Kate Newby, ‘Children’s and Transgenerational Memories of violence in Norther Ireland in the 1970s’ (awarded 2020 ¹ú²ú̽»¨)
• Ian Cantoni, ‘Spanish Republican refugee camps in southern France following the Spanish civil war of 1936-1939’ (awarded 2019 ¹ú²ú̽»¨)
• Chris Crook, ‘Empire or Europe? Priorities within British Foreign Policies 1919-1926’ (awarded 2017 Sussex)

My supervisory interests include the study of popular media genres (science fiction, horror); the relations between media, memory and trauma; and media and politics (specifically imperialism, (post)colonialism and globalisation. Interdisciplinary projects on media, literature and culture are most welcome.

A more detailed indicative list of supervisory interests includes the following areas:

• the study of popular media genres (science fiction, horror/Gothic, utopia/dystopia, (post-)apocalyptic fiction).
• the relations between screen media, trauma theory and memory studies - with a more recent interest in nostalgia studies.
• the historical and discursive relations between screen media and imperialism, globalisation and (post)colonialism.

Students with an interest in an interdisciplinary approach that extends across English studies and Film and Television studies are most welcome. I have also researched, taught and published on the late Victorian period ('fin de siecle') and postmodern theory, literature and culture.

Dr Ceren Özpınar has supervised two PhDs to completion, and currently supervises three PhD students at ¹ú²ú̽»¨, who work on subjects in lesser-known women artists in the 20th century, feminism in the museum, representation of lesbian lives in collections, and transnational art and design practices. She has examined one PhD to date.

Ceren would be interested in supervising PhD projects on feminist and queer approaches to art; transnational art histories; narratives of difference; memory and materiality. She would also welcome proposals interested in researching any aspect of the project of decolonising the history of art and exhibitions, particularly but not exclusively, in the Mediterranean, Middle Eastern and North African geographies.

Ceren also hosts visiting doctoral researchers on a regular basis. If you are working on a PhD project at another institution related to her research expertise and would like to be supervised by her at ¹ú²ú̽»¨ for a short period (up to a year), feel free to contact her.

Annebella supervises PhD projects in visual and material culture; photographic history, theory and practice; Mass Observation; museum cultures; modern British art and design history; non-elite design and dress history; everyday / vernacular / folk cultural practices and countercultures. She is currently supervising eight PhD students and has supervised ten PhDs to completion, including several in museum partnerships. She has examined over 25 PhDs, including practice-led doctorates, internationally. She is currently welcoming new PhD students.

Rebecca supervises students researching contemporary British History. She has particular expertise in the history of housing, the politics of twentieth and twenty first century Britain, the history of sexuality and gender, and the impact of war on society. She works with students across social, political, cultural and economic history and with students specialising in politics, sociology or philosophy who want to incorporate historical analysis into their research. 

Aakanksha is happy to supervise postgraduate work on late Victorian and modern literature. She has specific interests in literary modernism and would particularly welcome projects exploring literature and the arts (music and visual culture).

Specific areas within literary studies (1850-1950) might include

• Victorian/modern transitions
• philosophy, aesthetics and politics in modern literature
• poetry and poetics
• literature, music and visual culture
• aestheticism, decadence and desire

Julia Winckler's interdisciplinary research focuses on working with visual archives and collections. Memory and migration narratives, contested topographies, exile studies, co-production of knowledge and photography & activism are particular areas of interest. 

For PhD applicants:

Winckler currently co-supervises six Phd students at the ¹ú²ú̽»¨ and one Phd student at the University of Salzburg. Two of these Phd projects are practice-based; one is Techne funded, a second is an AHRC CPD studentship. 

Winckler welcomes Phd inquiries that interact with any of the following: 

Working with Archives and Collections: Photographic archives, Community archives, Museums, Private Collections

Memory Studies: Postmemory, transnational memory, cultural memory, communicative memory, personal memory

Art practice as research: visual, creative and ethnographic research methods/photo voice/photo elicitation/digital media technologies, site-specific interventions

Co-production of knowledge: popular education methodology, participatory methods, oral history, histoire croisée/regards croisés methodologies

Photography and activism: community art practice (global, historical & contemporary) and critical pedagogy

Photographers in Exile in Britain: contributions made by emigrés to the field of Applied Arts

Dr Wintle welcomes enquiries about projects on museums, exhibition design, collecting, cultural forms of imperialism, nationalism and decolonisation, especially in Britain, and the material and visual culture of South Asia.

Claire has supervised three PhDs to completion and currently supervises eight AHRC-funded PhD students. She has examined postgraduate theses at SOAS, Leicester University, Royal Holloway, Sheffield Hallam University, the University of Southampton and a further five PhDs at the ¹ú²ú̽»¨. Her students focus on themes ranging from British South Asian community engagement with museums to the professional experiences of museum staff working to decolonise practice. She works with colleagues at the British Museum, Royal Botanic Gardens Kew, the Horniman Museum and the V&A to supervise Collaborative Doctoral Projects on subjects including the British Museum's relationships with museums in West Africa, South Asian donors to the British Museum, exhibition design at the British Museum and Korean collections at the V&A. She also works with colleagues at Shiv Nagar University in India to supervise a PhD project on Bihar Museum.